“Ghost in the Shell” (2017) Review

Originally, I was going to review The Boss Baby, but Murphy’s law wrecked my plans so here we are.  While this movie has been reviewed by freaking everybody, I think my point of view will provide a differing opinion to those who are familiar with the source material.  That’s right; I have not read or watched any of the original Ghost in the Shell manga (or anime, whatever).  That means I went into this movie with absolutely no idea what to expect (aside from the first teaser trailer).  Upon leaving the theater, this was my thought: “That was decent.”

Ghost in the Shell is directed by Rupert Sanders and written by: Jamie Moss, William Wheeler, and Ehren Kruger.  Stars: Scarlett Johansson, Pilou Asbæk, ‘Beat’ Takeshi Kitano, Peter Ferdinando, and Juliette Binoche.  Premise-After an accident, a woman’s brain is placed into a cybernetic body for the use of hunting down criminals.

Not to get ahead from myself, but this movie can be summed up as “an above-average action sci-fi flick.”  The manga may or may not be better than the film, but the general consensus does not like the live-action movie.  As we leaned with the Inferno movie, adaptations should be good in their own right.  Competent storytelling, compelling characters, and excellent visuals are not something that should not be difficult to recreate.  Luckily, GITS has the visual aspect in droves.  The costumes, designs, and color pallet are very interesting.  Stylization this intense is hard to come by nowadays, so I appreciate how they visualized the manga for the silver screen.  What’s even more impressive are the action sequences.  Slow-motion “bullet time” allows the impeccable F/X to impress, even in 2D.  To accompany every scene, we have one of the best movie scores of the 2010s.  If you love Vangelis’ Blade Runner music, Tangerine Dream, or electronica, then you will probably nerdgasm over this Lorne Balfe/Clint Mansell score.  I’m not even going to attempt to tell you how excellent it is, just watch the film (or buy the soundtrack when it’s released).

Despite the technical achievements, the problems of this movie lie entirely in the screenplay.  I don’t know (or care) how faithful it is to the manga, but it’s without a doubt, very clichéd.  We have: a bad guy who bears a shocking resemblance to Amon from The Legend of Korra, corrupted corporate officials, framed police officers, and a whole lot of copy-pasted “robotic sci-fi” genre clichés (like the scene where they wonder what it’s like to feel human).  There are a few scenes that should have been cut, the climax is not as big as it should be, and the symbolism is painfully obvious (what do you know, an American action film with all the subtly of a middle finger to the audience).

The actors are not much better.  Only the great Takeshi Kitano stands out because he takes command of every scene.  Sure, Johansson (btw, they do explain why she’s not Asian) looks pretty, but that does not translate to good acting.  Admittedly, she is mostly robotic, so I don’t expect Viola Davis levels of passion, but something other than “blank stare” would be nice.

There you are, one short and sweet review.  Despite the annoying faults, the entertainment value is pretty high.  There are enough interesting ideas and likable characters to turn this into a franchise.  After all, isn’t that what they wanted to do with it in the first place?  Ghost in the Shell (2017) gets Guy’s Guru Grade of a B-.

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